Ben Radcliffe

Lecturer of Classics and Archaeology

  • Los Angeles CA UNITED STATES
  • Classics & Archaeology

Ben Radcliffe studies Ancient Greek literature, focusing on Homeric studies, critical theory, and aesthetics.

Contact

Biography

Ben Radcliffe is a Lecturer at Loyola Marymount University.

Education

UCLA

Ph.D.

Classics

2019

Stanford

B.A.

Classics

2013

Areas of Expertise

Classics

Event Appearances

“The Liquid Frame: Labor on the Homeric Littoral"

ACLA  March 2024

“Surplus Violence: Erides and Meta-Epic in Works and Days"

SCS  January 2024

"Stasis: Simulating Civil Conflict in Archaic Greece"

Classics & Archaeology, LMU  October 2023

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Courses

CLAR 1110 Elementary Greek I

Spring 2021
A basic introduction to Greek grammar and syntax, including noun declension and verb conjugation; translation of simple prose passages.

CLAR 1120 Elementary Greek II

Fall 2020
A continuation of the grammar and syntax of CLAR 1110, with a focus on more complex sentences; translation of more elaborate prose and poetry passages.

CLAR 2220 Ancient Comedy in Performance

Fall 2020, Fall 2022, Fall 2023
A study of the plays of Aristophanes and Menander (in translation), with an emphasis on production.

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Articles

Niobe’s People: Ambiguous Violence and Interrupted Labor in Iliad 24

Niobes: Antiquity, Modernity, Critical Theory

Ben Radcliffe

2024-02-27

A chapter in an edited volume on ancient and modern receptions of Niobe.

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Queer Kinship: Profit, Vivisection, Kitsch

Queer Euripides

Ben Radcliffe

2022-05-01

A chapter on Euripides' Heraclidae in an edited volume on queer readings of Euripides. Drawing on scholarship that examines the relations between kinship, queerness, and political economy, I trace the ways in which profit (kerdos) serves as a force of social disruption in the world of the drama, variously subverting, transforming, and reinforcing the patriarchal norms that underly procreative kinship.

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(Mis)counting Catastrophe in Aeschylus’ Persae

Classical Antiquity

Ben Radcliffe

2022-04-01

This article considers how mourning is configured as a site of political and aesthetic conflict in Aeschylus’ Persae.

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